“The cheaper the crook the gaudier the patter.” This line was uttered by Humphrey Bogart when he played Sam Spade in the movie Maltese Falcon. This classic was written by my hero, Dashiell Hammett. Even at seventeen years old, when I read that particular line in the book of the same title, I knew Hammett was a brilliant writer. It’s hard to miss something like that.
Mr. Hammett was a big influence on me becoming a crime writer, albeit not quite as hard-boiled. I’m more like a two-minute egg. But I recently learned that if there isn’t a dead body, I’m not interested in reading someone else’s book or writing one of my own.
My latest novel, Christmas Trifle, which came out a few months ago, started out as pure romance. Good golly, Miss Molly. What was I thinking? Ultimately, I found what the story needed was a good, old-fashioned murder, not more kisses. More foreboding, not more hugs. So it was only natural I turned Christmas Trifle into a romantic suspense novel.
And why not? Dashiell Hammett created the iconic Nick and Nora Charles. He put these two lovebirds in a novel called The Thin Man. Also made into a film, it was followed by a succession of sequels, all written by him. Not only were these murder mysteries wildly popular, they were wildly romantic. He may have even invented the modern-day romantic suspense. So I felt him egging me on, no pun intended, to do what I do best.
Consequently, Christmas Trifle now contains a corpse or two. Actually, three. The story still has the same charming, but recently divorced chefs, but these two find their way back to each other over a dead body rather than a dead soufflé.
My kinda story.
Dashiell Hammett once wrote, “If you have a story that seems worth telling, and you think you can tell it worthily, then the thing for you to do is to tell it, regardless of whether it has to do with sex, sailors or mounted policemen.”
My kinda guy.